Minor Alps Tour - Video Roundup

Eleventy thousand smartphone owners have attended the Minor Alps tour this month. Some of them used these devices to watch large portions of the shows through a screen with their arms held up.

So many in fact that it's been hard to keep up.

A roundup is therefore required commencing with more from the Los Angeles shows. See earlier posts here for links for the first few gigs.

Thanks to everyone who has submitted or shared these links here or elsewhere on the internet. In particular thanks to liveontomorrow reader Carlos for submitting dozens of recent links that appear here, and also to Andrew who has been keeping us all up to date with news for many years chiefly via the This Is The Sound group. If you're a member there, these links have already been posted on that group too. It is really appreciated guys.

Thanks too to the uploaders, obvs.

With one exception, these are single camera YouTube efforts.

Echoplex, Los Angeles, November 12:

Yer Head

Away Again

I Don't Know What To Do With My Hands

Waiting For You

Out There

Inside Of Love

Such A Beautiful Girl

Live On Tomorrow (as above)

Buried Plans

I Wanna Take You Home

Soda Bar, San Diego, November 14:

If I Wanted Trouble (clip on NBC San Diego)

Schubas, Chicago, November 15

'Banter'Waiting For You

Rockwood Music Hall, New York City, November 21:

The Moon Is Calling

Main Street Music In Store show, Manayunk, November 22:

I Wanna Take You Home

Candy Wrappers

Far From The Roses

World Café Live, Philadelphia, November 22:

Julianna Hatfield and Matthew Caws.

Video Interview - Radio.com

Minor Alps, the duo of Juliana Hatfield and Matthew Caws recently sat down with Anthony Mason of CBS Sunday Morning for an in-depth interview where they talked about how they came to work together and co-writing all 11 songs and playing 90 percent of the instruments on their debut album "Get There."

Last night's acoustic show for Radio.com at Rockwood Music Hall in NYC is also covered in a feature and photo gallery.

Interview - The Patriot Ledger
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“We’re not reinventing either of our wheels, but it does go in a slightly different direction than places I’ve been in the past,” Hatfield said. “There’s not a drummer on every song but we did more with drumbeats than I usually do. I also played a lot of keyboards, which is something I haven’t normally done – that was really fun for me. I studied piano for many years, so I was like, hey, I remember the keyboards. But it was more because some songs cried out for instruments that weren’t stringed instruments – like this feeling or vibe where a mellotron was needed, or we could mess around with something else.”

Taken from a feature on Minor Alps at The Patriot Ledger.

There's a further piece behind a paywall at The Boston Globe.

Interview - Dig Boston
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“We’re doing a lot of singing in unison, it’s really cool, it’s fun,” says Hatfield, her voice picking up pitch and speed. There’s a genuine expression of excitement to her tone that seems to catch her off-guard. It isn’t surprising, though–even in the more dour moments, it sounds like Hatfield and Caws are having a blast.

“For me, that’s the best part,” she says. “It’s natural, it’s not having to try to very hard or to force it. We just blend really well and it’s really easy to harmonize, which is great because I rarely ever sing with other people.”

Full article at Dig Boston.

Get There Reviews (7)
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More reviews. Hope you're keeping up.

Think Jim Reid and Hope Sandoval on The Jesus And Mary Chain’s ‘Sometimes Always’ – sugar-sweet voices destined to be together. As Minor Alps, Hatfield and Caws have made a gorgeous debut that sounds as if they’ve recorded it in each other’s pockets, their tones exquisitely matched, the songs intimate. 7/10

Matthew Horton, NME

For the most part, Get There tries to find center ground between the worlds of Bon Iver and Death Cab For Cutie. Every so often, as on “Mixed Feelings,” the pair let loose and indulge themselves in the fuzzy, energetic punk-pop of the early 2000’s.

Angel J Melendez, fuzzyheadphones

Ultimately, there is a bulging gap left via a distinct lack of, well, songs, and there are moments that are uncomfortably dull and so ordinary it just becomes tiresome. 5/10

Daniel Dylan Wray, Loud and Quiet

Get There Reviews (6)
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Although it has been available on iTunes and in limited numbers elsewhere since the US release date, Get There by Minor Alps is being officially released this week in the UK and other places in Europe via Juliana's Ye Olde Records.

The album is now showing on all of the main UK download sites (iTunes, 7 Digital and Amazon mp3). The issue of European streaming services (Spotify, Rdio etc) having the curiosity of tracks being limited to 30 seconds now seems to be resolved too.

It was awarded 'Album of the Week' in today's Sunday Times (UK). There's no link as it's behind a paywall but it's fair to assume that republishing the text will not destroy Murdoch's revenue from the issue. So, and with thanks to liveontomorrow reader John who sent the info, here's Mark Edwards' review:

Many years ago, Juliana Hatfield – maybe for a bet, maybe because she was bored, or may because she hated me on sight – opted to go through an entire interview answering only “yes”, then “no”, then “yes” again, then “no” again, and so on. Even questions that couldn’t possibly be answered with a yes/no answer were dispatched with a “yes” or – if it was no’s turn – “no”. I swore to use all my power to sabotage her career and bury her talent. There were only three problems. One, I don’t have any power. Two, she has done an effective job of sabotaging her own career, due to a lengthy battle with depression. Three, I suppose I could bury her talent a little bit by not bringing this wonderful album to your attention – but, really, who wins from that? So .... Hatfield has teamed up with Nada Surf’s Matthew Caws as Minor Alps, and they’ve made an album that thrills and delights, whether exploring the classic 1990s scuzzy alt-rock guitar sound (I Just Don’t Know What to Do with My Hands), reinventing it (If I Wanted Trouble) or ignoring it (Away Again). So go on, buy it, knock yourself out, make her all rich and successful. See if I care.

A rather bizarre review, which says more about the 'chief music critic' than the artist he's reviewing, and the line about depression in that context is just scummy. It's also bullshit. Anyway, yay for album of the week!

Some more reviews to mark the occasion:

Adventurous it’s not but there’s no denying the fizzy, thrash-about appeal of Mixed Feelings, the compellingly simple pull exerted by Waiting For You or the finger-picked charms of Maxon, which joins the dots between Crosby, Stills & Nash and Bon Iver., 3/5

Metro

In contrast to the cover of the album, which is rather bleak and foreboding, ‘Get There’ is a collection of eleven lushly produced songs from the duo.

Philip Soanes, Folk Radio UK

The voices blend magically, while the guitars of "I Don't Know What to Do with My Hands" and "Far from the Roses" employ a pleasing mix of Neil Young grunge and REM arpeggios. 4/5

Andy Gill, The Independent

It is very rare that we see a musician(s) fashion an album like Get There with such an echelon of calm reassurance. This record is not for the faint hearted, harshly depicted themes and cynical imagery of segregation, pining, and restiveness direct the flow. Not surprisingly, somewhat reinforcing this point, the record kicks with the utterance: “such a loner”. One can’t help but suspect that the band may have purposely decided to kick off proceedings with “Buried Plans”. 6.9/10

John Glynn, When The Gramophone Rings

Get There Reviews (5)
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Another set of reviews:

Basically, they did everything right here. Get There is an intelligent, authentic alternative rock album that sounds as enjoyable to live in as it probably was to make. 4/5

Michael Roffman, Consequence Of Sound

Usually when experienced music veterans join forces, the result is a mixed bag wherein it’s blatantly obvious where one party took the songwriting into his or her own hands. But on their first project as a duo, Juliana Hatfield and Nada Surf’s Matthew Caws have a synergy that makes you wonder why they didn’t collaborate sooner., 74%

Daniel Kahn, Filter

The overall mood of Minor Alps’ first outing is somewhat downbeat and yet wistful. Two rockers who really hit their stride during the Clinton years are now in middle age and I think the subject matter here (relationships won and lost, self-reflection, “mixed feelings) is mirroring that.

Andrew W Griffin Red Dirt Report

There is so much to love in all of the songs here, and hearing Hatfield and Caws together makes you wonder why it couldn't have happened sooner, but then again; there is a season for all things, and this is so obviously theirs.

Girl About Town

Seattle, Nov 8 - Setlist

After a radio session earlier in the day, Minor Alps debut live appearance took place last night at the Neptune Theater, Seattle as part of the Barsuk Records 15th anniversary.

They both played acoustic guitar with Juliana also on keyboards, while Matthew ran the effects and drum loops.

Notable setlist moments:

Live On Tomorrow, baby! Live On Tomorrow with special Juliana guitar solo no less.

Candy Wrappers with Matthew on lead vocal.

Thanks to Charlie for the info.