Although it has been available on iTunes and in limited numbers elsewhere since the US release date, Get There by Minor Alps is being officially released this week in the UK and other places in Europe via Juliana's Ye Olde Records.

The album is now showing on all of the main UK download sites (iTunes, 7 Digital and Amazon mp3). The issue of European streaming services (Spotify, Rdio etc) having the curiosity of tracks being limited to 30 seconds now seems to be resolved too.

It was awarded 'Album of the Week' in today's Sunday Times (UK). There's no link as it's behind a paywall but it's fair to assume that republishing the text will not destroy Murdoch's revenue from the issue. So, and with thanks to liveontomorrow reader John who sent the info, here's Mark Edwards' review:

Many years ago, Juliana Hatfield – maybe for a bet, maybe because she was bored, or may because she hated me on sight – opted to go through an entire interview answering only “yes”, then “no”, then “yes” again, then “no” again, and so on. Even questions that couldn’t possibly be answered with a yes/no answer were dispatched with a “yes” or – if it was no’s turn – “no”. I swore to use all my power to sabotage her career and bury her talent. There were only three problems. One, I don’t have any power. Two, she has done an effective job of sabotaging her own career, due to a lengthy battle with depression. Three, I suppose I could bury her talent a little bit by not bringing this wonderful album to your attention – but, really, who wins from that? So .... Hatfield has teamed up with Nada Surf’s Matthew Caws as Minor Alps, and they’ve made an album that thrills and delights, whether exploring the classic 1990s scuzzy alt-rock guitar sound (I Just Don’t Know What to Do with My Hands), reinventing it (If I Wanted Trouble) or ignoring it (Away Again). So go on, buy it, knock yourself out, make her all rich and successful. See if I care.

A rather bizarre review, which says more about the 'chief music critic' than the artist he's reviewing, and the line about depression in that context is just scummy. It's also bullshit. Anyway, yay for album of the week!

Some more reviews to mark the occasion:

Adventurous it’s not but there’s no denying the fizzy, thrash-about appeal of Mixed Feelings, the compellingly simple pull exerted by Waiting For You or the finger-picked charms of Maxon, which joins the dots between Crosby, Stills & Nash and Bon Iver., 3/5


In contrast to the cover of the album, which is rather bleak and foreboding, ‘Get There’ is a collection of eleven lushly produced songs from the duo.

Philip Soanes, Folk Radio UK

The voices blend magically, while the guitars of "I Don't Know What to Do with My Hands" and "Far from the Roses" employ a pleasing mix of Neil Young grunge and REM arpeggios. 4/5

Andy Gill, The Independent

It is very rare that we see a musician(s) fashion an album like Get There with such an echelon of calm reassurance. This record is not for the faint hearted, harshly depicted themes and cynical imagery of segregation, pining, and restiveness direct the flow. Not surprisingly, somewhat reinforcing this point, the record kicks with the utterance: “such a loner”. One can’t help but suspect that the band may have purposely decided to kick off proceedings with “Buried Plans”. 6.9/10

John Glynn, When The Gramophone Rings