Weird - Review Round-up

Juliana's new album Weird is released today.

Most of us received our physical copies over the last couple of weeks from American Laundromat Records. The album is now out on your streaming and download services of choice too.

Here's a selection of the reviews from recent days:

Adrian Breeman, Cryptic Rock (4/5):

Nearly two years later > [after Pussycat]> , with other projects mixed between, Weird is no less powerful, and the topic—Hatfield herself—is no less important. The melodies on Weird are more inviting, even if the topic is more personal and cathartic.

Jed Gottlieb, Boston Herald :

Explorations of threats from the outside world fill up “Weird.” And Hatfield sets them all to her expected, absurdly consistent hooks and bright, tight melodies. She has written plenty of personal songs in 30 years (over nearly 30 albums from half a dozen bands), but this one shines in the hot spotlight of intense intimacy. Sometimes over sad chord changes, more often over sparkling indie pop, she sings about wanting to be alone, the comfort of a solitary life.

James Weiskittel, Soundblab (10/10):

...with Weird, Hatfield has impressively channeled a potent combination of her trademark angst and a ‘singer/songwriter’ vibe into what is easily her strongest batch of songs in a decade

Bank Robber Music:

Hints of everything good about rock music here, from the Crazy Horse noodling that ends “Staying In” to the new wave synth hits of “Sugar” to the chunky Cheap Trick chords of “Paid To Lie.”

The Soul Of A Clown:

Juliana Hatfield already has a fan base full of extremely devoted fans and there is absolutely no doubt that they will love this. What’s really interesting is just how relevant and current her sound is (even though it follows a style she has had for years). Given how huge an act like Courtney Barnett has become, it makes you think that this release could attract a whole new group of younger fans.

Barry Divola, Sydney Morning Herald (3/5):

...two highlights are All Right, Yeah and Do It To Music, both joyous testaments to strapping on headphones and dancing alone to make everything a whole lot better