There's further photos of the event by Joshua Pickering at Innocent Words and a short review with a photo at the Boston Globe.
Prior to the concert, Juliana spoke to Jay N Miller for The Patriot Ledger, where she touched upon the new album:
“I’m not able to conceptualize going in a particular direction, I just have ideas and follow them,” Hatfield explained. “When I have ideas, I make them come to life. I keep moving and keep working. You have to keep working - you’re only here a short time and you have to be open to new possibilities. The idea of doing an Olivia Newton-John record popped in my head, so I went and did it. Unconsciously, I guess it might have been a reaction against the feelings surrounding ‘Pussycat,’ which were disturbed and full of anger. You could see it as the pendulum swinging back. I just wanted to do something that felt good.”
Juliana also talked to Brett Milano for the Boston Herald:
“It’s hard to say why I like her, but I’ve always had a visceral reaction. Something about the sound of her voice and the melodies really hits a pleasure center in my brain,” Hatfield said. “I think there’s also an innocence about her that I’ve always related to. In most of the relationships I’ve had in my life, I tend to be drawn to complicated, troubled people. I saw something in her that was different from that, so I felt an affinity — she was more like the light in the darkness. Her songs are really gorgeous and sweet, and they match my affinity for melodic pop songs, but she acknowledges that there is a dark side.”
Hatfield conceived of the album after a Newton-John concert she’d planned to attend last year was canceled due to the singer’s illness. She’s made the album a partial benefit for Newton-John’s cancer foundation, and received a nice tweet from her in response.
