Wild Animals (2013)
Juliana Hatfield
Sleep
June 6th
Spit In The Wind
Parking Lots
Dog On A Chain
Hurt Me
Tracks
Push Pin
Or So They Say
Love Is Like The Wind
Never Beg
The third of Juliana's fan funded albums using PledgeMusic.
Unlike the previous two, Juliana didn't provide regular studio updates or song snippets and the songs were therefore unknown to many of us before the release.
At launch of the project she proposed the album's tone:
I am going to make a mostly (but not totally) acoustic album but I am not going to overthink or overproduce any performances. It will have the loose energy of, say, my album “Bed”, without all the distortion (but maybe with some) and with more prettiness.
If you're familiar with Juliana's home demos of recent years and her other acoustic album - 2010's Peace & Love, this record is similar in production style.
POTENTIAL ALBUM TITLES
These were suggested by Juliana during the Pledge campaign prior to deciding on the Wild Animals name:
metaphors for loneliness
born lonely
find me gone
burning on fire
hikikomori
ill at ease
illatease
high heels in the sand
emotional moments
boundaries
Personnel
Juliana Hatfield - vocals and all instruments
AVAILABILITY
2 August 2013: PledgeMusic release date
10 September 2013: CD release via julianahatfield.com
12 September 2013: General Retail / Digital inc iTunes
REVIEWS / LINKS
With simple production and instrumentation, the latest, fan-supported release from Massachusetts alt-rocker Juliana Hatfield, Wild Animals, is an 11-track record of songs that fully allow Hatfield’s lovely voice and characteristic vulnerability to really shine. 4/5
Andrew W. Griffin, Red Dirt Report
Wild Animals is a simply arranged album, with little more than Hatfield's vocals and a guitar on most tracks. The production is rudimentary, which I've always felt is the best way to present Hatfield's music. It's rawness lends an authenticity and honesty that it would take millions of dollars and many months to construct in a high-tech studio environment.
Further info / links to follow. Or maybe not - as was the case with 2012's covers album it doesn't look as though Juliana has sent any review copies out or employed any kind of publicist for this album.
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